Available in Northwest of Earth, Paizo Publishing, 2007
I became interested in C.L. Moore's Northwest Smith stories upon learning Smith was an inspiration for Star Wars' Han Solo. The first and most famous Smith story, "Shambleau", was also Moore's first professional sale (Weird Tales, November 1933). It establishes Smith as a tough-minded man visiting a colony on Mars for shady business the details of which are left cryptic. Spotting a young woman being chased by a mob, Smith manages to save her and avoid bloodshed simply by saying she is his, a twist that strikes even Smith as odd.
Letting the woman stay with him, Smith realizes she is not quite human, but cannot say definitively what she is. After a day out on business, Smith returns to his lodgings and acts on his attraction to his guest and her palpable willingness to have him. Before things go too far, Smith finds himself suddenly revolted. This, however, is not enough to save him a perilous second encounter with her.
I found Moore's style evocative yet easily readable, particularly in its depiction of Smith's conflicting attraction and horror at what he discovers the woman to be.
Friday, July 31, 2015
Saturday, July 11, 2015
"Heat Death" by Bill Cameron
On Twitter, Bill Cameron offered copies of the July/August 2015 AHMM, featuring this Skin Kadash story, and I was lucky enough to get one. Kadash is a cop in Cameron's loose series of novels, but "Heat Death" serves to introduce him to new readers while on a road trip to Canada with his only friend, Tommy, in the summer of 1971.
Expecting to be drafted into the U.S. Army, Tommy's motivation for the trip is to rendezvous with a woman he's fallen for, named Instance. Skin goes along to keep Tommy out of trouble, and only narrowly does so. As he sketches a younger Kadash, Cameron evokes the freedom of a road trip and the tension of the times equally well.
Expecting to be drafted into the U.S. Army, Tommy's motivation for the trip is to rendezvous with a woman he's fallen for, named Instance. Skin goes along to keep Tommy out of trouble, and only narrowly does so. As he sketches a younger Kadash, Cameron evokes the freedom of a road trip and the tension of the times equally well.
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