The Incense Murder by I.J. Parker

The September 2009 Alfred Hitchcock has a story from one of my favorite mystery short story writers, IJ Parker. Parker's main character is Sugawara (try saying that 3 times, fast) Akitada. The setting is 11 century Japan, Heian-Kyo (modern Kyoto). The stories generally revolve around some aspect of Japanese culture of the period, often they take place during festivals, for instance.

In this case, Akitada is asked to investigate a murder that may just have been caused by burning incense. The person asking him to look into the case had no love for the deceased but thinks the real target was himself. And who himself is is important to the tale - Akitada's cousin, a wealthy man who hasn't hidden his dislike of Akitada's and his mother but, since he is a blood relation, may just leave Akitada and mom a fortune when he dies.

Akitada, always very smart, takes the case, gets to the bottom of things and ends the story pretty much under arrest though with a chance he'll be set free. How he got into this mess is one of the several twists you'll have to read the story to figure out. Another homerun from IJ Parker.

I see from her website that her next Akitada book is on its way to bookstores. It's called "The Convict's Sword" and it has already garnered a rave from Publisher's Weekly: "Besides smoothly mixing action and deduction, Parker gives her protagonist an emotional depth that raises her to the front rank of contemporary historical writers." This is a starred review. Can't wait...

By the way, if you've never read an IJ Parker story, let me help you up from your benighted position. Here's a link.

"The Perfect Sucker", by Leslie Charteris

From: Thanks to the Saint, Pocket Books, 1957.

Sometimes Simon Templar, better known as The Saint, isn't looking for trouble. Sometimes he just wants to kick back, relax, and enjoy himself. And it's true that there's nothing he likes better than seeing come to a just end, that wears on a man. Sometimes he just wants to go fishing.

Which he does, at a fishing camp on the Rogue River in Oregon. But his trip turns into a busman's holiday when he's taken for a mark by a couple of crafty con men working a sweet scheme. Or so it seems...

The Saint stories have a unique charm and are great entertainment, despite the fact that Simon Templar himself should come across as an insufferably smug English twit. He comes across as a wittier James Bond - a jack of all trades, admired by men, irresistible to women, etc etc, righting wrongs for his own amusement instead of Queen and country. But just this once he nearly puts his foot in it, and badly enough that he'd never forgive himself. As usual, chance smiles upon him, and he eventually finds a way to put things right.

These stories are nearly forgotten today, but I can't recommend them enough. Especially good is The Best of The Saint, Vol. 2, with a forward by Sir Roger Moore.

EQMM and AHMM Giveaway

I've got a dozen (or more) EQMM/AHMM magazines from the last year or three sitting around clogging up bookshelf space. Anyone want them? Leave a comment to that effect and I'll check back tomorrow. If there's more than one interested party, I'll pick from a hat. Same contest at my blog so you have two chances to win (that is, I've got two boxes of magazines primed for the post office...)

"Guy Walks Into a Bar..." by Lee Child

Published in The New York Times (June 6, 2009).

Child's contribution to the Times' Summer Thrills fiction series starts with a girl who catches Jack Reacher's eye at a Greenwich Village bar in the wee hours. She's no older than nineteen, Russian, and Reacher's instincts tell him she's about to be kidnapped. Longtime fans balance a trust in Reacher's take on most situations with the knowledge that, sooner or later, Child will upend expectations. When he does it is the surprise.

"Heat" by Toni McGee Causey

Toni McGee Causey just tweeted about this story, calling it a very hot, sexy prequel to her novel series starring Bobbie Faye Sumrall. I've heard good buzz about Toni's series and have her first book on my shelf, but have yet to get to it, which allows me to give a first-time reader's account of "Heat".

No crime or mystery is at the center of this story. Bobbie Faye's best friend Cam, an LSU quarterback-turned-state policeman, has just helped her out of a bad relationship, and the two of them are preparing a crawfish boil. The story starts from Bobbie Faye's viewpoint. She's annoyed with Cam, wishing he'd see her as more than a friend. Causey then switches to Cam's viewpoint, and it turns out the attraction is mutual. The story ends in a connection that isn't very graphic, but serves to release the sexual tension just the same.

Events are alluded to and enough of Bobbie Faye's voice comes through that I want to read and fill in the rest.

Shanks on Misdirection by Robert Lopresti

I've just gotten into Robert Lopresti's long running Shanks series, and they're quite cool. The main character, Leopold Longshanks is a professional mystery writer and more than a little crumudgeonly. In the last story I reviewed, Shanks skewered a self-published author. In this one, he has troubles with writer of nasty reviews and a cozy writer who prefers to be called a "traditional" mystery writer. When the cozy writer's husband talks about having his ATM card eaten by the machine, Shanks suspects something more sinister than a simple ATM malfunction.

In any event, the mystery of this story is relatively slight (though those not knowledgeable of short cons might take a tip or two here) but the story makes up for that in attitude. Shanks and his wife have a healthy back and forth as does Shanks and just about anybody else. Getting back at the reviewer is a nice extra in the story.

"Follow Up" by Jo Dereske

From: The Prosecution Rests ed. Linda Fairstein. Little, Brown, and Co., 2009.

In the middle of a blizzard, Michigan parole board member Jeff Willett comes to the aid of a woman stranded in the snow. He learns the woman is the mother of a possible parolee, Danny Hartman, who served time of holding up a 7-Eleven. Desperate to deliver letters in favor of Danny's parole, Danny's mother breaks from Jeff when his car runs off the road.

Jeff searches for her for a while, but when he meets with Danny, the kid seems unwilling to talk or accept possible help from his mother. I wasn't sure whether Jeff wanted to help Danny's mother reach the parole board or if he just wanted to avoid the complications her letters would bring. Either way, this story is a well-delivered, bleak look at the system.

NBS Special Report: 2009 Best Short Story Edgar

As Twittered by Sarah Weinman and posted to The Rap Sheet:

Best Short Story: “Skinhead Central,” by T. Jefferson Parker (from The Blue Religion, edited by Michael Connelly; Little, Brown)

Also nominated: “A Sleep Not Unlike Death,” by Sean Chercover (from Hardcore Hardboiled, edited by Todd Robinson; Kensington Publishing); “Skin and Bones,” by David Edgerley Gate (Alfred Hitchcock Mystery Magazine, October 2008); “Scratch of a Woman,” by Laura Lippman (from Hardly Knew Her; Morrow); and “La Vie en Rose,” by Dominique Mainard (from Paris Noir; edited by Aurelien Masson; Akashic Books)

G. Miki Hayden, Redux

A couple of weeks ago I posted the first part of an interview with one of my favorite short story writers*. Then I lost internet service for a few days, then life got in the way, now I'm back to finish what I started. In fact, what follows is the entire interview. The first two Q&As duplicate what I posted some time ago. Enjoy:

ST: I really love your Miriam Obadah stories for AHMM. I find them moving besides being good mysteries. Do you concentrate on one aspect (emotion) instead of another (puzzle) at different times as you write or do the stories just come together as the reader sees them?

GMH: Thanks so much, Steve.

I don’t concentrate on one aspect and then layer in other aspects of a story when I write. I also rarely restructure. I write and then polish. However, while I certainly think that writing everything at the same time produces a more cohesive piece, I also will suggest that students (I teach for Writer’s Digest at Writers Online Workshops) can layer in elements later on if they aren’t able to provide them in the initial draft.

The most common essentials that students will miss in their writing are emotion, setting, and point-of-view character internals.

The eliciting of emotion is definitely an important fundamental of fiction, but that’s probably the hardest thing for writers to do. So I don’t really mean that, as creating suspense, tension, the onset of romance, or even reader sorrow is extremely difficult. If someone can actually trigger reader feelings—wonderful—she may make a lot of money selling her manuscripts. But if she can’t, then she can at least include the mechanical representation of these sensations. We are always able to write, “His heart thudded in his chest and he thought he would faint.” That will substitute for the real thing in many instances, and a writer does need to have at least some of that to round out any story.

As for setting, I encourage students to sketch in a few specifics, but also to keep the setting alive throughout a scene. For instance, if the characters are in deep conversation in a school cafeteria, let’s hear a little bit of the noise—the crash of trays, the laughter of the kids—and maybe even see someone slide on spilt milk. But I say sketch in these details, because the setting shouldn’t take away from the dialogue. It should simply create part of the reality, the background part.

The other most-often-missing element in fiction by new writers is point-of-view character thought. And some of this can be emotional as well, so I don’t entirely separate the two. The more the writer lets the reader know what’s going on with the character, the fuller the story becomes for his audience. Of course this, too, has to be paced out, and has to be on focus for the scene and the story. As writers, we don’t want to give stream of consciousness, but we also don’t want readers to be in the dark as to what the character believes, in regard to the situation.

I said I mostly don’t restructure, but sometimes I do, and the times when I do, I restructure the opening. The opening, especially of a short story, has to be quick and offer the hook as soon as possible. Writers often feel the need to “develop” or to “set up” the story, but less here is more. We can start quickly and then come back, and through internals give more development and setup.



ST: Do you have any methods either for the generation of short story ideas or for the writing process that you can share?

Ideas are everywhere, so instead of talking about how to generate them, I’ll say that once a writer has an idea and has started a project he ought to stick with that until he’s done. Worse than not being able to come up with an idea is not being able to carry through the writing to the end. I think that’s a chronic difficulty. Trust me, no story idea is significantly better than any other. No idea is “the” idea. The treatment of the idea is what really counts.

With a short story—as opposed to a full-length manuscript—I generally prefer to have a fairly well-formed sense of what I’m writing when I sit down to do the draft. I find that thinking through the logic of the story and knowing where it’s going can make the writing process a whole lot easier.

On the other hand, not everyone works in the same way, and not every piece will proceed along the same path, either. Writers do have to learn to trust their own processes. But I’m suggesting that if someone works out the short story plot in his head before he sits down, he’ll find the writing flows more easily.

That’s harder with a novel of course. Novels are longer. I don’t say that to be facetious exactly, but people do sometimes ask what the difference is between writing a short story and writing a novel. That novels are longer is pretty much my answer as to the difference. The length of the work affects the pacing of the story arc and may even account for the proverbial “sagging middle” of the novel—the segment of the manuscript where the writer herself sags and has no idea what to do next with her characters. (The answer is—push through to the end.)


ST: Your stories have been nominated for and won awards. Care to give the genesis for one or two of them?

GMH: Again, it’s not the idea, really. What makes a story successful is the execution. And believe me, too, a story can be successful and never be published, much less nominated for anything. Selling a story is the goal, but it’s not the actual hallmark of success. I just this year sold two stories I’ve been trying to sell for a number of years. I look at it as having finally found the proper markets. The stories didn’t change, but I found markets that really wanted this exact type of material. These, by the way, are stories with Middle Eastern protagonists—Moslems.

Some of the stories I’ve sold immediately, however, were stories I completely geared to a specific market with very exact requirements. In that case, I sat down and generated the idea and the story based on what the publication or anthology wanted. For instance, I did have a story nominated for a Derringer, and that story appeared in Babs Lakey’s anthology entitled DIME. Obviously she wanted something a little bit on the pulp side. What I did in writing “The Girl in Apartment 2A” was to take an idea and a character I had for a novel and turn it into a story. In this case I already had the character and her particulars and the story was sort of a prequel to what I felt would work for a novel.

I think, in other words, that writers can use short stories to test out characters they might want to write more about. Writers might also want to test a few themes that interest them, such as a period of history or a setting. Or a continuing protagonist.

But let me backtrack a little in explaining the execution side since I’ve mention that a couple of times. What I mean here is that the writer must add something to the story that makes it stand out. What will make a story rise above the rest might be the complexity of the background. Maybe the writer can charge the story up with a Wall Street setting that seems to jump from the pages of the Wall Street Journal. The story is timely and adds a chilling depth of financial detail in describing a multibillion dollar, even deadly, fraud.

Or maybe the story replicates the plot of a well-known novel from another era—but in the end adds an exciting twist. Or the story may bring in rich historical detail, which is something I myself like to do. I had a story published last year that was set in 1826, during the building of Sing Sing Prison in Ossining, New York. ...That was inspired, actually, by a visit some folks from our MWA chapter made to Sing Sing in the company of fellow member, federal Judge Andy Peck.

While I do know of some stories about the spouse buried in the back garden that then flourishes or a rival writer tricked into eating certain foods that have gone on and won prizes, this is the exception rather than the rule. Trite and tried may conquer in the end, but not usually. Generally speaking, we should attempt to present a finely etched, well-developed, different sort of story if we want to compete in a market as crowded as this one for short stories is.

ST: You also write sci-fi. Do you find there's a big difference in how you go about constructing your stories depending on the genre?

GMH: In writing science fiction, unless the setting is a known one into which I introduce changes, I probably do much less research while writing. What I’ve done with a lot of my science fiction stories, however, has been to write them as mysteries—or as crime fiction. The beauty of the mystery story is that with a high-stakes, well-focused situation, the format of the story is in some sense a given and has an automatic power. Here, instead of researching the setting, you can think one up. However, research can actually apply in science fiction in many instances. For instance, an alien species can be based on earthly reptiles or types of insects. Or the intergalactic society we write about might have as its counterpart the culture of a South American Indian tribe. Or we may need to research the latest in particle physics to find a way to explain our multiverses.

The actual construction of the story, however, will be pretty much the same in science fiction or in mystery or even in romance—plotted around a central aim of the protagonist, or a central conflict. The protagonist makes progress, is stymied, makes progress, is blocked, overcomes, and eventually wins the day. How many conflicts then depends on the length of the story. Yes, really.

ST: What short story writers--mystery or otherwise—have inspired you?

GMH: Offhand I can think of three short stories that have really inspired me. One was by Dostoevsky and it simply overwhelmed me with the reality of the character and the protagonist’s situation. The story, “White Nights,” has been adapted for the screen several times, and a new digital version—transposed to L.A.—apparently will come out some time soon. I guess I wasn’t the only one to react to the story.

Another story, and I recall neither the author nor the story’s title, was set in the not-too-distant future in which the earth is simply overcrowded with people. This story featured each of the points of view of all the roommates (several) in one small apartment. I’ve never read a short story before or since with so many protagonists or one that gave such a strong feeling of a realistic, possible future for mankind.

The third story that influenced me I remember exactly nothing about except my impression. This story ran in a major magazine, a market that paid a lot for the story. And reading that story, I understood why it had been chosen—because in the end my emotions were profoundly affected. The story delved much more deeply than most stories do. The author made more extreme choices in the details than we typically do as writers. And thus the story had real impact and was published in a significant magazine.

I’ll add my impressions of a fourth story, one by a well-thought-of mystery writer. The writing was exceptionally skilled, and the story very different. It was, in fact, written in second person, and how often is that done? However, I found the story despicable and pointless. It had no moral, ethical center, and thus was simply, to me, an exercise in inhumanity. Writing that doesn’t do something to raise us all up (even writing about crime from a psychopath’s point of view can fly the flag of the radiant)—writing that doesn’t contribute to the betterment of our common situation on this earth either through pure entertainment or illumination—is to me without purpose. We writers create as well as reflect our civilization; we thus have a responsibility. That well-paid-for, well-published story also inspired me, but in a completely different respect. Even for writers (as with physicians), the motto should be “first do no harm.”

G. Miki Hayden is the author of The Naked Writer, a comprehensive, easy-to-read style and composition guide for all levels of writers.

"In My Hands" by Sarah Cortez

From: The Hit List: The Best of Latino Mystery ed. Sarah Cortez and Liz Martinez, Arte Publico Press, 2006.

This story details the unlikely friendship between go-getter real estate agent Calais and gold-digger Elizabeth. Elizabeth and her handsome husband Winston seem like the perfect couple until Winston leaves her for a younger woman. Distraught, Elizabeth becomes convinced Winston will try to kill her to get out of paying alimony.

One day, Elizabeth goes missing, and her friend Kathy asks Calais to check on her. Discovering what appears to be a struggle, Calais imagines what might have happened and how she can turn it to her advantage.

Cortez meticulously spins the clues into two different scenarios and shows how quickly friends can turn on each other.

Interview with G. Miki Hayden, Part I

If you've been reading my reviews here, you know I'm a great admirer of Edgar winner G. Miki Hayden's short stories. If you haven't been reading my reviews, then shame on you. SHAME ON YOU!!

In any event, I asked a few questions and she taught a master lesson. Here is part one:

ST: I really love your Miriam Obadah stories for AHMM. I find them moving besides being good mysteries. Do you concentrate on one aspect (emotion) instead of another (puzzle) at different times as you write or do the stories just come together as the reader sees them?

GMH: Thanks so much, Steve.

I don’t concentrate on one aspect and then layer in other aspects of a story when I write. I also rarely restructure. I write and then polish. However, while I certainly think that writing everything at the same time produces a more cohesive piece, I also will suggest that students (I teach for Writer’s Digest at Writers Online Workshops) can layer in elements later on if they aren’t able to provide them in the initial draft.

The most common essentials that students will miss in their writing are emotion, setting, and point-of-view character internals.

The eliciting of emotion is definitely an important fundamental of fiction, but that’s probably the hardest thing for writers to do. So I don’t really mean that THE WRITER NEEDS TO ACTUALLY EVOKE A FEELING, as creating suspense, tension, the onset of romance, or even reader sorrow is extremely difficult. If someone can actually trigger reader feelings—wonderful—she may make a lot of money selling her manuscripts. But if she can’t, then she can at least include the mechanical representation of these sensations. We are always able to write, “His heart thudded in his chest and he thought he would faint.” That will substitute for the real thing in many instances, and a writer does need to have at least some of that to round out any story.

As for setting, I encourage students to sketch in a few specifics, but also to keep the setting alive throughout a scene. For instance, if the characters are in deep conversation in a school cafeteria, let’s hear a little bit of the noise—the crash of trays, the laughter of the kids—and maybe even see someone slide on spilt milk. But I say sketch in these details, because the setting shouldn’t take away from the dialogue. It should simply create part of the reality, the background part.

The other most-often-missing element in fiction by new writers is point-of-view character thought. And some of this can be emotional as well, so I don’t entirely separate the two. The more the writer lets the reader know what’s going on with the character, the fuller the story becomes for his audience. Of course this, too, has to be paced out, and has to be on focus for the scene and the story. As writers, we don’t want to give stream of consciousness, but we also don’t want readers to be in the dark as to what the character believes, in regard to the situation.

I said I mostly don’t restructure, but sometimes I do, and the times when I do, I restructure the opening. The opening, especially of a short story, has to be quick and offer the hook as soon as possible. Writers often feel the need to “develop” or to “set up” the story, but less here is more. We can start quickly and then come back, and through internals give more development and setup.

ST: Do you have any methods either for the generation of short story ideas or for the writing process that you can share?

GMH: Ideas are everywhere, so instead of talking about how to generate them, I’ll say that once a writer has an idea and has started a project he ought to stick with that until he’s done. Worse than not being able to come up with an idea is not being able to carry through the writing to the end. I think that’s a chronic difficulty. Trust me, no story idea is significantly better than any other. No idea is “the” idea. The treatment of the idea is what really counts.

With a short story—as opposed to a full-length manuscript—I generally prefer to have a fairly well-formed sense of what I’m writing when I sit down to do the draft. I find that thinking through the logic of the story and knowing where it’s going can make the writing process a whole lot easier.

On the other hand, not everyone works in the same way, and not every piece will proceed along the same path, either. Writers do have to learn to trust their own processes. But I’m suggesting that if someone works out the short story plot in his head before he sits down, he’ll find the writing flows more easily.

That’s harder with a novel of course. Novels are longer. I don’t say that to be facetious exactly, but people do sometimes ask what the difference is between writing a short story and writing a novel. That novels are longer is pretty much my answer as to the difference. The length of the work affects the pacing of the story arc and may even account for the proverbial “sagging middle” of the novel—the segment of the manuscript where the writer herself sags and has no idea what to do next with her characters. (The answer is—push through to the end.)


****

G. Miki Hayden is the author of The Naked Writer, a comprehensive, easy-to-read style and composition guide for all levels of writers.

Shanks Gets Killed by Robert Lopresti

Robert Lopresti writes several series of short stories for Alfred Hitchcock Mystery Magazine and has been nominated for and won a Derringer Award. Shanks is a mystery writer who winds up solving crimes. Like a lot of real writers, Shanks is a bit on the surly side and with a biting sense of humor. In this story, he has been dragooned into a mystery weekend at a resort where he's supposed to be the celebrity author and get whacked on the first night - this means he doesn't have much to do.

Then the grand prize, a first edition of The Maltese Falcon, goes missing and Shanks is dragooned again. After all, if he's not busy acting a part, he might as well save the resort the trouble and fuss of having the police around bothering guests. Of course, he gets to the bottom of it all, but how he does it and the humor that goes into the interrogations he has to conduct make the story worth the read.

In the process of solving the crime, Shanks gives the reader a glimpse into a subset of the mystery world I hadn't really considered before. Are people really that competitive when they go to a bed and breakfast for those mystery weekends? I hope that's a product of Lopresti's imagination.

Without Anesthesia by Maceias Nunes

As I often do, I started reading the latest EQMM with the shortest story in the volume - I'm a notoriously slow reader. Short stories can take me days. Anyway, in this case, the story was quite short - about three pages. Still, the author - this is his first fiction - was able to pack quite a punch. The story is about a Nazi hiding in Brazil. In this case, the narrator is offered money to keep quiet about the Nazi. The narrator being poor but principled means this won't be an easy decision. The fact that the narrator is in love with the Nazi's daughter makes it even more difficult. Anyway, what the narrator decides and, especially why, is the twist here.

Then, of course, there's the question of whether you can ever be happy again once you've been propositioned by a Nazi. In any event, the prose is crisp and clear, but I felt the story could have been helped by being longer - I would have liked more development of the narrator. Still, if you're going to err about the length of a story, it's better to be too short than too long. Don't get me wrong. The story is a good read and worthy of your attention. I guess I'd just like it if there were more of it to enjoy.

"The Case of the Extra Ventriloquist" by Ron Goulart

From: Alfred Hitchcock Mystery Magazine, May 2009.

In 1951 Los Angeles, detective comic strip artist Jack Ortega happens upon children's radio host Polly Renfrew, trussed up and gagged in the woods. Smitten, Jack unties Polly and asks how she ended up there. Polly and her dummy, Sally Sawdust, were supposed to entertain at the mansion of famous actress Mona Tardy. According to Ms. Tardy, another ventriloquist showed up in Polly's place and stole $200,000 worth of jewels and bearer bonds.

Polly deduces who's behind the theft by having Jack sketch a likeness of the villainous ventriloquist's dummy, but the next day, Polly goes missing and Jack has to play detective to find her.

I was a fan of the early 90s Tek series, ghostwritten for William Shatner by Ron Goulart. Featuring the same lighthearted humor and distinctive speech pattern, this story was doubly nostalgic for me.

Insurance by Fletcher Flora

The latest AHMM has a story first published long ago. I've never heard of the author before and, in fact, I almost wrote the name down as Flora Fletcher. Anyway, the story centers around a husband/wife team trying to defraud an insurance company by pretending the husband has died in a barn fire. Of course, to do this, they need a reasonable cadavar and getting that is part of the story.

Then, of course, the real husband has to disappear so the wife can get paid and do her own disappearing act. The way the con would normally go, the husband and wife meet up after the payout and live happily ever after, but I think you can see a myriad ways things could go wrong. For instance, if the insurance fails to pay out. That's not what happens here, but it could have.

In any event, while I think I've seen the outline of the plot before, the story is still worthy of notice - Loren Estleman introduces the story by saying that not a single word is wasted, and I have to admit with a build up like that, I really tried finding wasted words. He's right. They're not there. The prose is sharp as a knife. There are three things that force the reader to keep turning pages and this story certainly has one of them - poetry in nearly every line. A hard-bitten poetry. Poetry of a broken nose. Still, it was a joy to read.

"Buckner's Error" by Joseph Guglielmelli

From: Queens Noir ed. Robert Knightly. Akashic Books, 2008.

Winner of this year's MWA Robert L. Fish Memorial Award for Best First Short Story, "Buckner's Error" is equal parts classic baseball banter and true noir. As the story trundles on the 7 Train from Grand Central Station to Shea Stadium, readers follow an unnamed Mets fan hitman zeroing in on power broker, pervert, and Sox fan Jack Buckner.

Death Inside the Box by John Dirckx

The latest issue of AHMM includes another story by John Dirckx, one of my favorite mystery short story writers. Dirckx is well known for his Cyrus Auburn stories, but this one is a change of pace, and I'm not totally convinced it works as well.

For those who don't know, Auburn is a homicide detective in Baltimore, quite cerebral, good at his job. This new story features a coroner named Mary Deventer.
Deventer si called out to a power plant where a veteran worker has managed to electrocute himself. Accident or murder? Suspicion arises because it was a rookie mistake that killed the victim. Well, this turns out to be a crime and, of course, it is solved. No real problems there, but...

Hopefully, what follows isn't a spoiler.

I'm used to my Cyrus Auburn where there is a motive made plain. I didn't really get a motive for murder as far as I could see. Of course, a coroner may not be concerned with motive so it is true to life, I suppose, but then, that truthiness doesn't necessarily make the story moving or interesting. The Cyrus Auburn stories are always that.

Anyway, grain of salt time.

Silverfish by SJ Rozan

This neat little story is part of Ellery Queen's Black Mask department and fits in well as it deals with prostitutes, johns, and pimps.Silverfish is the name of a pro with a heart of gold. She takes into her care a less experienced, naive prostitute who happens to have a nasty pimp named Roach. When Roach needs dealing with, Silverfish is there, but, of course, it isn't like she can do anything overt. She can't just shoot him or anything. So how will she get her friend out from under his thumb? Well, let's say she's a trickesy one (pardon the pun).

As with all of SJ's writing, the prose is smooth, the dialogue snappy. Her novel THE SHANGHAI MOON comes out tomorrow.

"Skinhead Central" by T. Jefferson Parker

From: The Blue Religion ed. Michael Connelly. Little Brown and Company, 2008.

This Edgar-nominated story is told from the viewpoint of Sally, who has moved with her retired cop husband Jim from Laguna Beach to Spring Lake, Idaho. Shortly after the move, a 19-year-old skinhead named Dale shows up looking for work. Jim begrudgingly gives him some, but when Sally's jewelry bag goes missing, it's easily traced to Dale. The next day, Dale's younger brother Jason returns the bag and takes a beating from Dale for his trouble.

Calling on a network of contacts stretching back to California, Jim learns that Dale and Jason's father is an abusive ex-con. Jim and Sally take an unusual interest in the boys' future.

"Skinhead Central" is written so crisply, in a voice so knowing, I read it aloud.

The Lost Girl by Robert Barnard

The latest Ellery Queen has another Robert Barnard story. He publishes there with great regularity, and I've read several of his stories over the years, but they all affect me the same way - in short, I don't like them.

If you don't know, Robert Barnard has won a slew of awards over the decades, and he has the respect of the mystery reading/writing world. He has my respect as well. His prose is impeccable. He can make you care for the characters he puts before you. What he hasn't been able to do, especially with the short stories but even with the one novel of his I've read, is give me a satisfying ending. In one story, a character presented with a dilemma chooses the path no one I have ever encountered in my life would have chosen. In other stories, the ending just fizzles. So with this story.

The story (which is only about five or six pages) starts off well - a teenaged girl is missing, she might have crossed paths with a pedophile, and the Inspector follows leads and questions witnesses. In every way, the story is set up perfectly, and I truly expected to finally like a Barnard story at long last. Then came the ending. Fizzle. In faact, it took me three readings just to figure out what it is I think went on at the end. But once I figured things out (I think) I found as many loose ends as there were tied up ones.

SPOILER ** SPOILER ** SPOILER**

Notice the SPOILER sign? Your last chance to turn back.

Okay. You asked for it.

The lost girl is, as far as I can tell, still lost at the end of the story. And the pedophile ist kaput. Presumably she killed him. Was she related to him? Not sure. If she killed him, what, precisely was her reason? No idea.

Oh well. The prose is nice.

The Rules of Evidence by Steve Gore

This story all takes place in the interrogation room in dialogue between a career criminal named Irish and a homicide detective named Pacheco. Irish is a suspect in the murder of Mucker, one of Irish's former partners. The problem is that no matter what Pacheco thinks, the physical evidence is weak, Irish is seasoned enough to resist breaking, and besides, someone else has already confessed to the murder. Seems like a pretty tough case.

Though there aren't any car chases or shootouts, the dialogue stays crisp. It grips you and refuses to let go.

Pacheco may not have the best case, but he's determined. Is there a way he can make Irish slip up? You'll have to pick up a current copy of Alfred Hitchcock Mystery Magazine to find out.

By the way, this is Steve Gore's first published story - kudos to him and I hope others are in the pipeline.

Cheer by Megan Abbott

In other places, I've talked about Megan Abbott's novels including Die a Little and The Song is You, and they are marvelous things. The stories are interesting and tightly wound, the prose is finely spun - some of the strongest prose you'll find in crime fiction today. The voices of her characters are always pitch perfect. In this story, she continues her winning ways.

"Cheer" has to do with the cheerleading team under the care of a young woman called "Coach." It's told by one of the squad members and even though the narrator is not named, she exhibits a growing sense of...I'm not sure what. Fear? Dread? Anxiety? In any event, nothing good. This happens as the narrator learns more about the coach and her teammates.

In the end, of course, it is a crime story so the narrator has reason to feel ill at ease. I can't tell you what happens or even why it happens, but I can say the story is well worth looking up. Like just about everything else Megan has written, "Cheer" has been nominated for a prize. In this case, it's a Pushcart Prize.

NBS Special Report: 2009 Best Short Story Edgar Nominees

As presented by the Mystery Writers of America:

BEST SHORT STORY

"A Sleep Not Unlike Death" - Hardcore Hardboiled by Sean Chercover (Kensington Publishing)
"Skin and Bones" – Alfred Hitchcock Mystery Magazine by David Edgerley Gates (Dell Magazines)
"Scratch of a Woman" - Hardly Knew Her by Laura Lippman (HarperCollins – William Morrow)
"La Vie en Rose" - Paris Noir by Dominique Mainard (Akashic Books)
"Skinhead Central" - The Blue Religion by T. Jefferson Parker (Hachette Book Group – Little, Brown and Company)

ROBERT L. FISH MEMORIAL AWARD (Best First Short Story)

"Buckner's Error" - Queens Noir by Joseph Guglielmelli (Akashic Books)

Congratulations and good luck to all.

The full list of Edgar nominees via Sarah Weinman's Confessions of an Idiosyncratic Mind.

"Devil Dog" by Dick Lochte

From: Hollywood and Crime. Ed. Robert J. Randisi. Pegasus, 2007.

One of the contemporary entries in a collection of crime stories set during the history of Hollywood, "Devil Dog" marks the return of Leo Bloodworth. At the behest of Larry King-like media personality Pierre Reynaldo, Leo looks into a woman's claims that her neighbor is a Satanist.

After an eight-year hiatus, it's good to hear from Leo in a story that is equally comedic and tragic.

"Give Till It Hurts" by Donald E. Westlake

Available in Thieves Dozen by Donald E. Westlake. Mysterious Press, 2005.

Discovered trying to pass himself off as a rich Arab at a coin collectors' convention in Manhattan, John Dortmunder narrowly escapes through a linen closet window and stumbles into a poker game at Otto Penzler's Mysterious Bookshop.

Dortmunder is $240 ahead when the police come calling, investigating the burglary he's just committed. To Dortmunder's surprise, Penzler and friends don't hand him to the cops. Then he realizes they want to win their money back.

Penzler first published this story in 1993 as a Christmas present to the Mysterious Bookshop's mail-order customers. In memory of Westlake, who died on New Year's Eve at age 75, I hope our reviews give readers some idea of his talent and personality.

A nasty, brutish, short Christmas

In honor of Christmas 2008, our past reviews of Christmas stories:

Gerald So reviews "Dreaming of a Spite Christmas" by BV Lawson

Steven Torres reviews "Hidden Gifts" by Steve Hockensmith

Gerald So reviews "Sanity Clause" by Steve Brewer

Gerald So reviews "As Dark as Christmas Gets" by Lawrence Block

Gerald So reviews "Silent Night" by Marcia Muller

Gerald So reviews "Here Comes Santa Claus" by Bill Pronzini

"Dreaming of a Spite Christmas" by BV Lawson

From: Mouth Full of Bullets, Winter 2007.

This piece of flash fiction counts down to a shopping mall elf's attempt to poison Santa Claus. Each paragraph is a snapshot of the elf's growing nervousness as the plan moves along and then suddenly runs off the rails.

"Oil Slick" by Jay Brooks

From: Alfred Hitchcock Mystery Magazine, March 2009

Brooks's first published story follows a con man looking to bilk big money from ex-NFL player Andy Belton in an oil drilling scam. Little does he know Belton is running a con of his own. Tightly told and surprising.

"Babs" by Scott Phillips

From: Las Vegas Noir ed. Jarret Keene & Todd James Pierce. Akashic Books, 2008.

From the author of The Ice Harvest comes the story of Tate, a good-natured pothead originally from Kansas who, as a favor to his friend Skip, agrees to pick up some crystal meth from Skip's friend Babs, and bring it back to L.A. Babs, described by Skip as "a stripper", is nothing like Tate expects. Falling a little in love with her, he agrees to back her up retrieving the meth from a dealer.

I'm not a fan of first-person present-tense narrative as a rule, but the style works here to set up Tate's sensibilities. I was as disarmed by Babs as he was, even as I realized Tate was getting in over his head.

The Proper Application of Pressure to a Wound by Sherry Decker

Sherry Decker's story in the December issue packs an emotional punch and as I've said before in this space, that's one of the hallmarks of a great short story for me. (It's a hallmark of a great long story too). Very difficult thing to accomplish in a short space, but this story does it.

The main character is a home nurse for an elderly man she's learned to care about. He dies, and that's not the worst that happens. We learn the nurse has been on a downward spiral having lost a child and a husband and a proper hospital job. When you've lost enough, you think about what you can save, and she couldn't save her patinet.

Still, there are plenty of others who need help in this world, and the story will talk about some of those. The nurse does what she can and rises and rises until some might say she's become a hero. But will the appreciation of others be enough for her?After all, it won't bring her back what she's lost.

In any event, if you're looking for a crime related story that might just move you emotionally, this one is recommended.

"Down Home Blues" by Rob Kantner

Recently posted to Kantner's Web site, this new Ben Perkins story has Ben attending his great aunt's funeral in Georgia. After the ceremony, Ben's cousin Caroleen asks him to fix the toilet at the cabin she rents out. This he does easily, but he also becomes suspicious when the renters don't seem to be the "lovely folks" Caroleen describes.

I hadn't read a Perkins story in some time, but Ben's voice was instantly familiar. I'm glad Kantner is still writing about him. I found "Down Home Blues" a little long to read onscreen. Print it out and take your time with it, as Ben would.

"Candles on the Corner" by Janet Dawson

From: Ellery Queen Mystery Magazine, November 2008

Dawson's Bay Area P.I. Jeri Howard is hired by the parents of 12-year-old Emily Gebhardt, who died in a hit-and-run accident. With varying witness statements and precious few clues, Jeri proves a tenacious questioner with a knack for educated guesses. She elicits the truth, but is unable to stop a horrific act of vengeance by Emily's father.

A well-plotted, satisfying investigation with a tragic end.

NBS Special Report: Awards Roundup

A belated roundup of the short story awards announced at Bouchercon, as seen on Jiro Kimura's The Gumshoe Site:

The Shamus (Private Eye Writers of America)

Best P.I. Short Story: "Hungry Enough," by Cornelia Read (in A HELL OF A WOMAN, edited by Megan Abbott; Busted Flush Press)

The Anthony (as voted by attendees of Bouchercon 2008)

Best Short Story: "Hardly Knew Her," by Laura Lippman (in DEAD MAN'S HAND, edited by Otto Penzler; Harcourt)

The Barry (presented jointly by Deadly Pleaures Mystery Magazine and Mystery News)

Best Short Story: "The Problem of the Summer Snowman," by Edward D. Hoch (Ellery "Queen's Mystery Magazine, November 2007)

The Macavity (presented by Mystery Readers International)

Best Mystery Short Story: "Please Watch Your Step," by Rhys Bowen (The Strand Magazine #21, Feb-May 2007)

"The Other Side of the Mirror" by Eric Van Lustbader

From: Thriller: Stories to Keep You Up All Night ed. James Patterson. Mira, 2006.

This anthology of shorts by thriller writers is up for discussion on DetecToday next month, and I was lucky to find it on Mystery Loves Company's table in the book room at Bouchercon. I was curious whether thriller writers, known for their sprawling plots and over-the-top prose, would succeed at short stories, wherein much has to be condensed and focused.

In Van Lustbader's story, a spy on the verge of a nervous breakdown is hiding from his enemies in a seedy Buenos Aires hotel room. He reflects on how he was drawn to spycraft by his wife's death. As their love story plays back for readers, we realize his love can turn to jealousy instantly. In fact, he turns out to be a most unreliable narrator.

I found that despite the story's relative brevity (twenty pages), it still featured excess verbiage and false-sounding dialogue, the two main traits that turn me off from thrillers. That said, I have to admit I kept reading as the spy's mind slip out from under him.

"Promise" by John Harvey

From: Murder is My Racquet, ed. Otto Penzler. Mysterious Press, 2005.

Harvey's former footballer P.I. Jack Kiley is hired when British tennis star Victoria Clarke is blackmailed to pay a quarter of a million pounds or have the existence of a daughter she had at age fifteen exposed. While Kiley is an able tough guy who does get to work out some aggression in this story, the resolution is nicely downbeat and plausible. "Promise" is a glimpse into Kiley's life that makes me want to see more.

"Comes Around" by Chris Rogers

From: Alfred Hitchcock Mystery Magazine, December 2008.

This five-page story from the author of the Dixie Flannigan bounty hunter novels features ex-cop Ford Bradshaw. Now retired, Bradshaw takes it upon himself to be an instrument of justice without judge or jury. Early in the story, Bradshaw suspects Jake McGrew, a newcomer to the weekly poker game, is a killer. Bradshaw's follow-up on his hunches actually obscures the outcome, turning expectation on its ear.

"Accidentally, Like a Martyr" by Reed Farrel Coleman

From: The Darker Mask. Ed. Gary Phillips and Christopher Chambers. Tor, 2008.

This story from a anthology of noirish superhero tales is told in the frenetic, poetic stream of consciousness of a crack addict who kills a priest to steal from a church poor box. After this encounter, he gains the power to travel through time, taking the sins of others as his own, clearing their paths to heaven while he is cursed with immortality on earth. A Deity with an Irish brogue calls him the Absolver.

"Bottom Deal" by Robert Gregory Browne

From: Killer Year ed. Lee Child. St. Martin's, 2008.

Ex-cop, compulsive gambler, and amateur Vegas magician Nick Jennings extends himself when his friend Holly Addison calls him out of the blue. He's too late to keep her from being shot to death, but he's determined to find out why she was killed. Browne's Killer Year entry combines engaging characters, a meaty plot, and brisk pace.

"Suicide Blonde" by Brian Thornton

From: Alfred Hitchcock Mystery Magazine, November 2008

In 1960s Las Vegas, Sean Murphy, a lawyer/fixer on retainer with the outfit, is called when his boss's brother, Eddie, finds his neighbor dead after a night of drinking. Murphy must piece together what happened, who the woman is, and how to keep his clients out of it. A clever hardboiled mystery.

"Friday Night Luck" by Edward D. Hoch

From: The Blue Religion ed. Michael Connelly. Little Brown and Company, 2008.

Working on a crime-scene cleanup crew, Will Blackstone aspires to be a police detective. His chances dim when he's caught smoking marijuana during a shift as a citizen volunteer, but on a whim he decides not to turn in his uniform and badge, and no one keeps after him about it.

Some days later, while cleaning up an apparent double-murder, Blackstone finds an address book the police have missed. The book leads him to believe the second man isn't dead. Blackstone does his best to investigate, imperiling himself in the process. A well-served blend of optimism and realism.

"The Quick Brown Fox" by Robert S. Levinson

From: Alfred Hitchcock Mystery Magazine, October 2008.

Mired in the worst dry spell of his career, mystery writer Gus Ebersole is invited to teach creative writing to prison inmates. Taking the chance to be inspired, he accepts the job, and promptly plagiarizes the work of two inmates as his own. From the moment these stories are accepted to Crime & Punishment magazine, Ebersole fears the inmates will find out and take revenge on him.

Any writer can relate to the scenario, and Levinson uses its natural tension to great effect. Ebersole and I got not one, but two nasty surprises.

"Hungry Enough" by Cornelia Read

From: A Hell of a Woman: An Anthology of Female Noir. Ed. Megan Abbott. Busted Flush Press, 2007.

The fun of this Shamus-nominated story is in the effects of Read's chosen viewpoint and protagonist. Julia is twenty-five years old in 1959, an aspiring starlet turned secretary for a P.I. The story opens with Julia listening to her friend Kay complain about her producer husband's sexual idiosyncrasies. They arrive at Kay's house to find her husband crushed to death by one of his own kinky devices, and Julia calls on her boss, Philip, to try and unravel the mystery.

NBS Special Report: 2008 Shamus Nominees for Best Short Story

As announced by the Private Eye Writers of America:

"Kill the Cat" by Loren D. Estleman, Detroit Noir (Akashic), featuring Amos Walker.

"Trust Me" by Loren D. Estleman, Alfred Hitchcock Mystery Magazine, June 2007, featuring Amos Walker.

"Open Mike" by James Nolan, New Orleans Noir (Akashic), featuring Vincent Panarello.

“Hungry Enough" by Cornelia Read, A Hell of a Woman (Busted Flush Press), featuring Philip.

"Room for Improvement" by Marilyn Todd, Ellery Queen Mystery Magazine, Dec. 2007, featuring Lois Hepburn.

"The Pencil" by Raymond Chandler

Available in: Raymond Chandler: Collected Stories. Knopf, 2002.

To mark the 120th anniversary of Chandler's birth, a review of this 1959 story, written especially for England twenty years after Philip Marlowe's previous appearance in the short form.

Here Marlowe is hired by Ikky Rothstein, a low-level mobster who's been targeted by the Outfit for execution and is looking to excape. Enlisting the help of his lady friend Anne Riordan, Marlowe manages to keep two hitmen off Ikky's trail, but in the aftermath he finds another man identified as Rothstein and himself the target of a hit.

Between the Dark and the Daylight -- Tom Piccirilli, EQMM, Sept/Oct '08

"Between the Dark and the Daylight" has a great opening, with four men hanging off the ropes leading to a runaway hot-air balloon. How they got there and what happens to them, two of them in particular (not to mention the child in the basket above), is what makes the story. I'll just say that one of them is a bank robber and that it's his son in the basket. You'll want to check this one out because it is indeed nasty, brutish, and short.

The Boy Who Cried Wolfe -- Loren Estleman, EQMM, Sept/Oct '08

Is there anything Loren Estleman can't do? He's done Holmes pastiches, westerns, private-eye novels, historicals, crime novels, and humor. What we have here is a Nero Wolfe pastiche. Claudius Lyon is the large, eccentric crime-solver (can't afford orchids, to he grows tomatoes) and Arnie Woodbine is the secretary/legman. Arnie, being an ex-con, isn't quite as dapper as Archie, but he's a dandy narrator. When a kid asks Lyon to find his father, the team goes into action. It's a funny take on the Wolfe saga and another smart short from Estleman.

"Mitzvah" by Tod Goldberg

From: Las Vegas Noir ed. Jarret Keene & Todd James Pierce. Akashic Books, 2008.

Fifteen years into his assumed identity as a Las Vegas rabbi, former Chicago mob hitman Sal Cupertine is fed up with the phoniness and monotony of his new life. After officiating at the fake funeral of policeman Vincent Castiglione, now known as Vincent Castleberg, Sal decides to steal the cop's identity and make a play to return to Chicago.

Showing the complexity of Sal's feelings and the depth of his despair, Goldberg makes readers care about a killer.

8 Across by Leigh Lundin

I've been meaning to write about this one for several days. It's about a sheriff named Jose and a deputy named Miller and what might happen if eight men crossed the border from Mexico, but it turned out they weren't Mexican at all and the knapsacks slung over their shoulders weren't not stuffed with clothes. What if those men had plans on attacking the Alamo? THE ALAMO! Where John Wayne and Richard Widmark held off thousands of Mexican soldiers with a big knife and a long gun. Where Davy Crockett got kilt.

In any event, Jose is one of the sympathetic and fully drawn characters you'll find in a short story and as regular readers will know, I appreciate any story where fully human characters are drawn. It's not an easy trick, but Mr. Lundin makes it fun here. He also manages to tweak several racial stereotypes. A lot of work for a short story.

Not sure about the picture that was drawn for it, but then Mr. Lundin didn't draw it, so I'll reserve my opinion.

I think the story is more suspense than mystery, but either way it works. You can find it in the April 2008 AHMM.

Davey's Daughter by Russel D. Mclean

As I've said before, Russel McLean writes some of the best mystery short fiction available through commercial sources. This example in the September 2008 issue of AHMM is a prime example of what I mean. It starts off with a former boxer, Davey, whose sixteen year old daughter has gone missing with some guy who is no good on the surface and might be downright evil at the core. Sam Bryson, former copper and Davey's friend, is called in on the case as Davey has never had much use for the police.

Will Sam be able to track the girl down before she's done in? Will Davey need to ride in to the rescue, fists swinging? Will Sam be able to keep his own temper (prone to sudden flareups) under control? Well, you'll have to buy a copy of the magazine to find out, but this is excellent writing, and in the end your heart will be torn at with sharp cat's claws*.

I should say the issue also contains contributions by John Dirckx and G. Miki Hayden (who finally gets an illustration). Two more excellent reasons to get a copy.



* Okay not the greatest metaphor, but you'll see what I mean if you read the story**.

** Okay, you may not exactly see what I mean, but I promise you'll love the story.

There's a Killer Loose! by Mickey Spillane & Max Allan Collins

This story marks Mickey Spillane's first appearance in EQMM. It was originally a radio script, but it's been recast into story form by Spillane's posthumous collaborator, Max Allan Collins.

The story opens with Terry Devlin, a hospitalized war vet, trapped by the cops in an abandoned building. You can almost hear the voice-over narration before we get the flashback. Devlin has been having periodic blackouts. And people are being murdered. Lots of people believe Terry's the killer. He doesn't know if he is or not. A former girlfriend has gotten him released and taken him in. He's lived peacefully with her and her brother, but now there's been another murder. Devlin is on the run, and the cops are closing in.

Typical Spillane twists and a fine Old-Time Radio flavor make this one a nice entry in EQMM's new Black Mask section.

Bill Crider

Forget Me Never by Terence Faherty

The thing about a Terence Faherty story is that you'll always get an emotional payoff, not just the solution to a puzzle. Of course, the solution is there as well, but the stories always succeed in making you FEEL something too.

In this story (EQMM, June 2008), a reporter for the Star Republic is given a human interest story to follow up. It happens that there are several roadside memorials on different roads throughout town all dedicated to the same young woman - a girl named Maria. Since these memorials normally go up at the spot where the person being memorialized died and Maria can't have died in several different places - the newspaper editor wants to know what's the deal. The reporter does too.

Along the way, the reporter comes across people with their own theories including that Maria is not dead at all but is instead being stalked by someone who wants to make her very afraid. The answer, as you'll see when you read the story, is simpler and more poignant.

As always with a Faherty story, the writing is first class throughout.

"Father's Day" by Michael Connelly

From: The Blue Religion ed. Michael Connelly. Little Brown and Company, 2008.

This powerful story opens with a hospital curtain being pulled over the body of a dead child. The child's father admits to leaving the child alone in his car while he was distracted by business that brought him into the office on a weekend. At interview, Bosch suspects the man is lying and expertly baits him into telling the truth.

"Baja" by Edward D. Hoch

From: Alfred Hitchcock Mystery Magazine, September 2008.

New San Diego police detective Annie Sears is assigned to accompany veteran Sgt. Frank Munson to Baja, Mexico to bring armed robber and cop killer Dunstan Quentis back for trial. Quentis manages to escape custody, and Sears prevents Munson from shooting him dead. As the officers continue pursuit, Sears feels guilty about for her part in the escape, but also begins to sense things are not what they seem.

Readers may guess the basic plot here, but the real joy is in the details expertly laid out by Hoch. As vivid and taut as any of his stories, "Baja" is yet more proof how much he will be missed.

Keller the Dogkiller by Lawrence Block

The May 2008 issue of Ellery Queen has this nifty short story. If you've read some of Mr. Block's novels you may know that Keller normally works killing humans. As this story begins, however, Dot (who seems to work pretty much as Keller's agent) explains that he's been hired to kill a dog. The money isn't great, but then the risks aren't so big either.

I can't say much about who hires him without spoiling the plot, but I will say that by the time it's all over, it isn't just Fluffy the pit bull that needs killing.

The best part of the story as far as I'm concerned was the dialogue between Keller and Dot which kind of provided a running commentary on the twists in the plot (of which there are plenty). I've never read one of the novels, so I don't know if it is common for the series.

A very enjoyable read.

Hidden Gifts by Steve Hockensmith

Steve Hockensmith is one of the best mystery short story writers active today and one of the best even if you go as far back as Poe (which is roughly about as far as you can go in this field). This story is one of his Christmas stories, and those are always a treat.

In this tale, Karen and Ronnie (ages 9 and 6 respectively) are debating the existence of Santa Claus. Karen goes on a hunt through the house to find evidence to prove there is no Santa. If she can only find the gifts she knows her mother has hidden somewhere...But what if her mother, under the influence of "Cousin Rick" the man who showed up and took up residence in her mom's bedroom, has forgotten to buy any presents?

After all, Cousin Rick is just the type to think buying presents for the kids is a waste while the money could be spent on himself. An evil, self centered man with no use for the children.

No worries, however, more than any presents, Karen finds something that might just get Cousin Rick out of the picture for good. But what? How? Read the story. It is in the January 2008 copy of Ellery Queen, and I will send my copy to whoever asks for it first.

"The Drought" by James O. Born

From: The Blue Religion ed. Michael Connelly. Little Brown and Company, 2008.

In a drought of murder cases, Ben Stoltz, a senior Homicide detective with the Broward County Sheriff's office, investigates the case of a young officer who shot a man who'd disarmed him of his ASP expandable baton. Born shows Stoltz to be a man of extreme focus, whose dedication to the job estranges him from his wife and family. Under pressure from a state's attorney to help indict the young officer or face a transfer out of Homicide, will Stoltz compromise or keep his integrity?

"Pretty Little Parasite" by David Corbett

From: Las Vegas Noir ed. Jarret Keene & Todd James Pierce. Akashic Books, 2008.

Upon learning she is pregnant, cocaine-addicted casino worker Sam Pitney tries to provide for her child by becoming a low-level coke dealer. Her business succeeds for some time, but unfortunately one of her sources for new clientele brings in an undercover cop, himself an addict. Shifting viewpoints from Sam, to her source, and to the cop, Corbett keeps this sad tale moving.

"My Hero" by Patricia Abbott

From: DZ Allen's Muzzle Flash ed. DZ Allen. August 2007.

Patricia Abbott's Derringer-winning flash story features Superman scooping up an abusive husband before he can choke his wife. Unfortunately the rescue hits a snag, and only The Man of Steel can get up, up, and away.

NBS Special Report: 2008 Derringer Awards

As voted by the Short Mystery Fiction Society:

BEST STORY, 1000 or LESS:
"My Hero" by Patricia Abbott
Published in DZ Allen's Muzzle Flash

BEST STORY, 1001 to 4000 WORDS:
"In the Shadows of Wrigley Field" by John Weagly
Published in The Back Alley

BEST STORY, 4001 to 8000 WORDS:
"The Gospel According to Gordon Black" by Richard Helms
Published in The Thrilling Detective

BEST STORY, 8001 to 17500 WORDS:
"Paper Walls/Glass Houses" by Eric Shane
Published in The Back Alley

Congratulations to the winners.

NBS Special Report: 2008 Best Short Story Edgar

As blogged by Sarah Weinman, Susan Straight has won for "The Golden Gopher" in Los Angeles Noir.

"Contact and Cover" by Greg Rucka

From: The Blue Religion ed. Michael Connelly. Little Brown and Company, 2008.

Novelist and comic book writer Rucka delivers his trademark authenticity and white-knuckle action in this story of three female Portland, Oregon police officers who serve their own justice on a misogynistic partner after the system fails them. From a brand new collection of nineteen stories on "cops, criminals, and the chase."

NBS Special: Jen Jordan Chat Transcript

In my capacity as DetecToday moderator, I chatted with Expletive Deleted editor Jen Jordan. Author Sean Chercover also attended.

NBS Special Report: This Day in History

On April 20, 1841, the first detective story was published, "The Murders in the Rue Morgue" by Edgar Allan Poe. Many of the story's elements would be adopted by later authors as the genre developed: the genius detective, the first-person narrating sidekick, the red herring... "Rue Morgue" is also known as the first "locked room" mystery.

The story's opening paragraphs, distinguishing analysis from ingenuity, are still inspiring.

More background from Wikipedia. The full text of the story is available here.

"Find Me" by Anthony Neil Smith

From: Expletive Deleted. Ed. Jen Jordan. Bleak House Books, 2007.

After picking up a college girl at a bar, Louisiana P.I. Hopper Garland agrees to look for her missing roommate, Cynthia. Garland goes on to have sex with multiple partners in the course of his investigation, and the act of sex goes from being something Garland uses to a way he is used and humiliated. Like all of Smith's crime fiction, this is a dark, no-nonsense tale of substance.

"Souls Burning" by Bill Pronzini

Available in Spadework by Bill Pronzini, Crippen and Landru, 1996.

For Pronzini's birthday, a review of one of his darker Nameless Detective stories. Nameless agrees to meet Eddie Quinlan, a small-time crook six months out of Folsom prison, at the seedy Hotel Majestic in a bad neighborhood. Eddie is fed up with the state of the world, visible right outside his window, and itching to do something about it. Nameless can't begin to tell him what that might be. Tiring of Eddie's ruminations, Nameless takes his leave. Eddie ends up committing a horrific crime, and Nameless must come to grips with the fact he could have done nothing to stop it. A master of the pared-down, efficient mystery story, Pronzini is equally adept at image-rich stories like this one.

"Nobody's Ring" by Terence Faherty

From: The Shamus Game ed. Robert J. Randisi. Signet, 2000.

In 1951 Hollywood, P.I. Scott Elliott finds an ostentatious sapphire ring left in the bathroom during a dinner party. No one at the party claims the ring, so Elliott visits local jewelers until one identifies the ring as his handiwork and tells Elliott who ordered it.

Elliott calls the jeweler's client to give the ring back, and the client requests they meet at a more private location. Soon after Elliott arrives there, he finds the client shot dead and is brought in by the police. Faherty keeps this long short story moving with many more twists. Well worth a read.

NBS Special Report: 2008 SMFS Derringer Finalists

As posted to Shortmystery today:

Best Story 1,000 words or less:

Keri Clark, "Saved" (Mysterical-E, Fall 2007)

BV Lawson, "Dreaming of a Spite Christmas" (Mouth Full of Bullets, Winter 2007)

Jillian Berg, "A Woman Scorned" (Mouth Full of Bullets, Autumn 2007)

Keri Clark, "Your New Fan" (Mouth Full of Bullets, Winter 2007)

Patricia Abbott, "My Hero" (D Z Allen's Muzzle Flash, 2007)


Best Story 1,001 to 4,000 words:

Beverle Graves Myers, "Brimstone P.I." (Alfred Hitchcock Mystery Magazine, May 2007)

Hugh Lessig, "We All Come From Splattertown" (Thuglit, Issue 17, July 2007)

Rick Noetzel, "Joyride" (Shred of Evidence, Dec., 2007)

Jack Hardway, "Handful of Stars" (Mouth Full of Bullets, Issue 5, Autumn 2007)

John Weagly, "In the Shadows of Wrigley Field" (The Back Alley, Vol. I, Nov 2007)

Camille LaGuire, "The Promise" (Future's Mysterious Anthology Magazine, March-April 2007)


Best Story 4,001 to 8,000 words:

Twist Phelan, "A Trader's Lot" (Wall Street Noir, Akashic Books, June, 2007)

John Schroeder, "Devil's Lake" (Futures Anthology Magazine, Jan/Feb 2007)

Herschel Cozine, "A Private Hanging" (Mysterical-E, Summer, 2007)

Kate Flora, "Mr. McGregor's Garden" (Still Waters, Level Best Books, 2007)

Rosemary Harris, "Growing Up is For Losers" (Still Waters, Level Best Books, 2007)

Richard Helms, "The Gospel According to Gordon Black" (The Thrilling Detective, Fall 2007)


Best Story 8,001 to 17,500 words:

Beverle Graves Myers, "The Bookworm's Demise"(Alfred Hitchcock Mystery Magazine, Dec. 2007)

Eric Shane, "Paper Walls / Glass Houses" (The Back Alley Vol. 1, June 2007)

John Burdett, "The Enlightenment of Magnus McKay" (Wall Street Noir, June 2007)

Mike Wiecek, "Wasting Assets" (Alfred Hitchcock Sept., 2007)

Clifford Royal Johns, "Forget Me Not" (Mysterical-E, Fall 2007)


The finalists are put before Short Mystery Fiction Society members voting April 1-30 to determine the winner in each category. Congrats and good luck to all.

"Hardly Knew Her" by Laura Lippman

From: Dead Man's Hand: Crime Fiction at the Poker Table, ed. Otto Penzler. Harcourt, 2007.

This Edgar-nominated story set in 1975 suburban Maryland effectively portrays a father's gambling addiction as he heartlessly sells his children's presents and pets to cover his debts. When he cuts the strings on his daughter's guitar to get at the heirloom necklace hidden inside, she resolves to follow him and do whatever it takes to get the necklace back.

While the father's inability to change dooms him, his daughter's embrace of change leads her from fear to confidence.

"Cookies" by Molly MacRae and Stephen Johnston

From: Alfred Hitchcock Mystery Magazine, June 2008.

Co-written by the current vice president and president of The Short Mystery Fiction Society, this story opens with Sam, an FBI computer tech, lamenting his wife Claire's suicide. In her suicide note, Claire alleged that Sam no longer loved her, that he was having an affair with Delia, a handwriting expert working out of the same headquarters as Sam. Within weeks of Claire's death, Delia's husband Carmichael also commits suicide.

For his part, Sam says he just fixed Delia's computer, that had lunch a few times, but nothing beyond that until after Claire's and Carmichael's deaths. Sam's tone made me wonder for much of the story whether he was really innocent. Readers may see one twist coming, but MacRae and Johnston play it up for added suspense.

A good mix of high technology and old-fashioned seduction.

"Fluff" by Otis Twelve

From: Expletive Deleted. Ed. Jen Jordan. Bleak House Books, 2007.

From the first sentence to the last, this story is difficult yet compelling and definitely noir. Ginny is an HIV-positive ex-porn industry worker struggling to do right by her ill infant son. Hopeless as she is, Ginny's narrative voice is engaging and funny without going into parody. Cutting briskly between scenes of Ginny watching over her son and the actions she takes to help him, Otis Twelve sets up a satisfying twist ending as well.

"One Serving of Bad Luck" by Sean Chercover

From: Killer Year ed. Lee Child. St. Martin's, 2008.

Ray Dudgeon, the P.I. from Chercover's debut novel, Big City, Bad Blood, is hired by the lawyer for Sarah Shipman, who lost her legs in a car accident shortly after having her tires rotated at an auto repair chain. With the chain offering to settle for $600,000, Sarah's lawyer wants to pad that figure, but he needs a statement from George Garcia, the man who worked on Sarah's car, a man who's conveniently disappeared.

In his introduction to the story, Ken Bruen praises Ray Dudgeon's humanity. I was most impressed with Chercover's handling of the secondary characters. Instead of feeling forced to establish Dudgeon's voice, Chercover allowed the other characters' voices to come through. As Dudgeon felt for them, so did I.

"Prodigal Me" by JT Ellison

From: Killer Year ed. Lee Child. St. Martin's, 2008.

This is the story of a husband and wife who've come to accept long periods of silence between them. The wife narrates with enough wry wit to keep readers engaged but all the while wondering, Where's the crime?

The reveal is subtle but, having bought into the setup fully, I appreciated it.

"Scrap" by Max Allan Collins

Originally appeared in The Black Lizard Anthology of Crime Fiction ed. Ed Gorman, 1987.

Reprinted in Chicago Blues ed. Libby Fischer Hellman. Bleak House Books, 2007.

In honor of Collins's 60th birthday, this review of a Nate Heller story. In 1939 Chicago, Nate is hired by the treasurer of a garbage workers union to shadow a former union member who may be a spy for the mob. Heller picks up the man's trail in time to hear him shot by the union president.

In the aftermath, Nate is asked to play along as the union and the victim concoct a story to give the police. Heller is the classic, smooth, tough-guy P.I. and like all of Collins's stories, "Scrap" is well researched and period pitch-perfect.

"A Long Time To Die" by Dave Zeltserman

Originally appeared in New Mystery Magazine, Vol. 1, No. 2. (1992)

In honor of this year's longer February, a review of Dave Zeltserman's first published story. The protag, Nick, covered up his brother Brendon's role in a hit-and-run accident to save Brendon's promising law career. Sentenced to join the military, Nick was sent to Vietnam and returned a shell of himself. As the story begins, the brothers are reunited after Brendon hired a detective to find Nick. Brendon offers to get Nick back on the right track, but as one might expect from the noirish Zeltserman, that's not how things work out.

"A Long Time To Die" was recently made available as the MP3 podcast "A Long To Die", read by Alan Vogel of Lit103.3.

"Thoroughly Yours" by Kieran Shea

From: Plots with Guns 1 (February 2008).

After a three-plus-year absence, Neil Smith's respected contemporary noir ezine relaunched last week. The first sentence of Kieran Shea's story reads, "On his 42nd birthday, Boris Rugova jackhammered into Skip Matthews' loaded $72,000 Sport Coup Lexus at twenty-one miles per hour."

Rugova politely offers to pay the damages, but irate lawyer Matthews threatens to sue him. Rugova leaves multiple messages at Matthews' firm, visits the firm trying to make amends, but Matthews will have none of it.

Finally, Rugova approaches Matthews away from the office and gets down on his knees begging Matthews to let him work off the repairs, and Matthews says he'll think about it.

You might have guessed this is a setup for more. Shea drops enough clues and keeps a brisk pace while leaving enough in the dark to maintain surprise. The requisite gun appears, and fans of unvarnished violence get the whack of a hammer against bone.

The new PWG website features easily readable text paired with eye-grabbing photography by Peter Kim.

What Friends Are For by Russel McLean

The current issue of AHMM carries a literary treat. "What Friends Are For" is a story in Russel McLean's series of shorts concerning a Dundee PI named Sam. Sam used to be part of the police force, but now he fights for justice...literally. The series is one of my favorite short story series, ranking up there for me with G. Miki Hayden's Miriam and IJ Parker's Akitada series. Russel's stories are filled with rounded, human characters - no cartoon characters, just people who love and hate and care. It's what I love about the stories. This story does not disappoint.

In it, Sam's friend from his time on the police force has been arrested - a witness says he beat someone up, but the story doesn't convince Sam. He thinks his friend is being framed and he prowls about town trying to find the truth of the matter...and if it means stepping on someone's crotch to get the info he needs, he's the man to do it. But can he figure out the truth before his friend is brought before a judge, kicked off the force, sent to prison? In short, before the friend's life is ruined which is the apparent goal of someone in the shadows?

Take a look at the story. It is worth the price of the AHMM issue which, by the way, seems to have gone up a full dollar to $4.99. I'm hoping this is a special price to offset the huge rush of demand for an issue with a Russel McLean story and the price will go back down in the next issue...

NBS Special - Love Hurts: A Valentine's Blog Event

On January 17, Patricia Abbott invited readers of her blog to write stories 750 words or less on the theme of love and crime, to be posted today.

Sixteen writers responded, including Graham and myself. Enjoy.

Patricia Abbott, "Tongues"

Stephen Allan, "The Many Forms of Love"

Patrick Shawn Bagley, "Leaving Rachel"

Cormac Brown, "Warmer"

Aldo Calcagno, "Love on the Rocks"

Clair Dickson, "Cupid's Bullet"

Sophie Littlefield, "Rival Passions"

Todd Mason, "Afterward"

John McAuley, "Since I've Been Loving You"

Christa M. Miller, "Beautiful Trouble"

Graham Powell, "The Last Time"

Bryon Quertermous, "Stand Up on Blow Pops"

r2, "Doctor, Doctor"

Sandra Seamans, "Bye, Bye Love"

Gerald So, "Connect the Dots"

WellesFan, "A Day Late"

"Cherish" by Alison Gaylin

From: A Hell of a Woman: An Anthology of Female Noir. Ed. Megan Abbott. Busted Flush Press, 2007.

25-year-old movie theater usher Myra Jane Wurtz is so infatuated with leading man Deacon Blaine, she believes he speaks to her through the silver screen. This secret communication grows into dream-like visits from Deacon, and soon Myra believes Deacon wants her to kill his mistress, Grace Ryan.

An engrossing, darkly funny story from the author of Hide Your Eyes, You Kill Me, and Trashed.

"Slice of Pie" by Bill Cameron

From: Killer Year ed. Lee Child. St. Martin's, 2008.

Not long after his father's death, Raymond is in the bathroom at his parents' house when he overhears a man ask his mother for money. His mother explains that the rumpled-looking man, Mr. Franklin, locked himself out of his car and needs $20 for a blacksmith, but Ray is convinced the man is conning her.

Using the confines of first person to their best effect, Cameron lets readers feel Ray's frustration dealing with a strong-willed mother who still treats him like a child. Ray drives by his mother's neighborhood the next few days, subconsciously looking for Mr. Franklin. He remains convinced Franklin is a conman, tempting readers to believe the same, keeping them on the hook until the final word.

In her introduction to the story, Anne Frasier remarks on the realism of Cameron's work. As a fan of realism, I concur.

"Part Light, Part Memory" by Bonnie Hearn Hill

From: Death Do Us Part, ed. Harlan Coben. Little, Brown, and Company, 2006.

In the aftermath of the Civil War, before word of Emancipation has spread through the South, fifteen-year-old Little Mary's father John William is hanged for the crime of looking at his master's wife. Little Mary swears to kill her mistress Miz Bessie. Hatred and thoughts of revenge threaten to consume her, but after overhearing a fight between Miz Bessie and her husband, Mary turns her wrath against him.

As a child of the 1970s, it's difficult for me to read about people being treated as property. Nonetheless, this story is vividly and compellingly told, and I know if minorities before me didn't fight for equality, I would have no place in America.

"Hit and Run" by Glenville Lovell

From: Hard Boiled Brooklyn ed. Reed Farrel Coleman. Bleak House Books, 2006.

Carla's cousin Martha recommends her when a man with a Caribbean accent offers $15,000 to anyone who will marry him so he can get his green card. At first, Carla isn't interested at all, but Martha and her own money problems convince her. Meeting the man, Carla talks him up to $100,000. As they go through the motions of marriage and commitment, Carla finds herself willing to kill her new husband to collect on a $1,000,000 life insurance policy. In making her plans, Carla learns the man is not who he seems.

A fast-moving story with nuanced dialogue and selfish characters. The ending comes out of nowhere, just like a hit-and-run.

"The Golden Gopher" by Susan Straight

From: Los Angeles Noir ed. Denise Hamilton. Akashic Books, 2007.

Straight's Edgar-nominated story follows successful travel writer FX Antoine searching downtown L.A. for Grady Jackson. As a teenager, FX stowed away in Grady's car to make it to Los Angeles. Now she feels a duty to tell him him his old flame Glorette—FX's best childhood friend—has been killed in their old neighborhood of Rio Seco.

Highlighting local color, socioeconomic and racial divides, "The Golden Gopher" is literary as well as noir.

"Blue Note" by Stuart M. Kaminsky

From: Chicago Blues ed. Libby Fischer Hellman. Bleak House Books, 2007.

In late 1950s Chicago, blues aficionado and notoriously bad gambler Pitch Noles is forced into a latenight game of poker. Loan shark Terrance "Dusk" Oliver threatens to hurt Pitch's blues singer mother unless Pitch wins at least $40,000 from three men who have previously beaten Oliver at poker.

Readers feel Pitch's nerves and desperation as he reads the three strangers for tells. Playing the game of his life, he manages to meet Oliver's price, but one final surprise turns this noir story on its head.

"Uncle" by Daniel Woodrell

From: A Hell of a Woman: An Anthology of Female Noir. Ed. Megan Abbott. Busted Flush Press, 2007.

Woodrell's Edgar-nominated story is told by a young woman who's lived for years under the thumb of her serial rapist uncle. One day she rescues a particularly feisty girl and, in the aftermath, attacks her uncle with a mattocks, leaving him brain-damaged the rest of his life.

Now forced to look after her uncle, the narrator wonders if, in his debilitated state, he is still evil.

A fine nominee, "Uncle" is an example of how to use voice and description to their best effect in five pages.

NBS Special Report: 2008 Edgar Nominees

BEST SHORT STORY

"The Catch" – Still Waters by Mark Ammons (Level Best Books)
"Blue Note" – Chicago Blues by Stuart M. Kaminsky (Bleak House Books)
"Hardly Knew Her" – Dead Man's Hand by Laura Lippman (Harcourt Trade Publishers)
"The Golden Gopher" – Los Angeles Noir by Susan Straight (Akashic Books
"Uncle" – A Hell of a Woman by Daniel Woodrell (Busted Flush Press)

Congrats and good luck to all.

"Messenger From Hades" by Edward D. Hoch

From: Alfred Hitchcock Mystery Magazine, April 2008.

The mystery community is saddened today by the passing of the prolific Edward D. Hoch. In tribute to Hoch, a review of his story in the latest AHMM.

In 1842, approaching his thirtieth birthday, Charles Dickens, his wife Kate, her maid Anne Brown, and his traveling secretary George Putnam tour America aboard the steamboat Messenger. One of Dickens's card-playing companions is murdered aboard ship, and an observant Dickens helps flush out the killer.

A clever mystery cloaked in period detail, I'm sure this exemplifies but a fraction of Hoch's talent. He will be missed.

"The Hard Case" by Robert Lopresti

From: Alfred Hitchcock Mystery Magazine, April 2008.

Having served twenty-five years at Longman State Penitentiary, Ray Keegan has just finished breakfast at a diner when the town sheriff arrives. The nephew of a jewelry store owner is accusing Keegan of the owner's murder. Keegan says he didn't do it, but who will the sheriff believe?

The title refers to Keegan, but at first glance, it seems to belie the story's brevity. Clever and compelling, "The Hard Case" inspired AHMM's April cover.

"Tourist Trade" by James O. Born

From: Dublin Noir ed. Ken Bruen. Akashic Books, 2006.

Born's contribution to this memorable anthology follows a serial-killing Irishman with an otherwise idyllic life and a surprising, darkly comic motivation.

"Pain Management" by Tyler Dilts

From: Crimespree #16 (January/February 2007).

One year after a knife attack, the homicide detective protag of this story has recovered most of the feeling in his hand. Unfortunately he's left in chronic pain, reliant on a plethora of painkillers and doctors. The detective's first case back is a bloody double-murder. His narrative voice is no-nonsense, and the story alternates between his investigation and his attempts to cope with his pain.

"Skull and Cross Examination" by Toni Kelner

From Ellery Queen's Mystery Magazine, February 2008

Pirates were and nasty and brutish, right? And some of them were probably short. So this story is certainly appropriate for the venue.

I don't believe I've ever seen a pirate story in EQMM before, and it's been a while since I read one anywhere. So it was a pleasure to run across this one. It's told in the form of a long letter home from a young man on his way to Jamaica where he hopes to establish himself as a lawyer. His father doesn't have a very high opinion of him or his chances.

Along the way, the ship he's on is attacked by pirates, and the crew and passengers are taken captive. That night, there's a murder, and the young man is called upon to be the lawyer for the accused at a trail to be held on shipboard.

This is an amusing, well-told tale, one I recommend for anybody who likes pirates, murder, or courtroom drama. This one has it all.

"Guarding Lacey" by Kris Nelscott

From: Chicago Blues. Ed. Libby Fischer Hellman,

Set in January 1970, this story is from the viewpoint of Jim, a boy rescued by Nelscott's series P.I. Smokey Dalton after witnessing the assassination of Dr. Martin Luther King, Jr. Now twelve years old and masquerading as Dalton's son, Jim recounts watching his thirteen-year-old cousin Lacey go through puberty and begin to attract undue attention.

As in the previously reviewed "Johnny Seven", the world of children is shown as disparate from that of adults, and because of this, Jim is reluctant to report his suspicions to Dalton. All the same, readers know along with Jim that Lacey is bound for trouble, and when things go wrong, Jim wishes he could have done more.

Excellent period and cross-gender writing.

"Chainsaw Nativity" by S.W. Hubbard

From: Alfred Hitchock Mystery Magazine, January/February 2008.

I couldn't resist the title. Hubbard's series protagonist Frank Bennett, police chief of the upstate New York town of Trout Run, investigates when the statue of Joseph is stolen from a Presbyterian church's Nativity scene.

Not especially violent, the story's title alludes to the fact that the scene is carved entirely with a chainsaw. The story itself has some funny moments as well as some poignant ones as it explores Joseph's often overlooked role in faith history. Bennett finds the statue playing a similar role for the story's culprit.

"Sanity Clause" by Steve Brewer

From: The Last Noel. Worldwide, 2004

With his reporter wife wanting a new laptop for Christmas, Santa-phobic New Mexico P.I. Bubba Mabry takes a $3000/week job watching Santa's Workshop at a local mall, making sure none of the Santas brings bad publicity down on the mall as in the past. The task proves impossible when Daniel Gooch, a former famous inventor-cum-the mall's best Santa, is found dead minutes before starting his shift.

Bubba hadn't seen anyone enter the locker room from the front, and the security chief who hired Bubba says no one entered from the back. Fired by the mall, Bubba is hired by the head of Joyous Noises, a Christmas charity that stands to inherit Gooch's patents.

Opposing Joyous Noises are Gooch's former business partner and his sister, who want to have Gooch declared mentally incompetent in light of his switch from CEO to Santa.

Bubba has a take on Santa and Christmas I can almost guarantee you haven't heard before. From an anthology of longer Christmas stories, the multi-chapter format allows for deeper character development.

"The Road to the Airport" by Donna Thorland

From: Alfred Hitchcock Mystery Magazine, March 2008.

Thorland's first story for AHMM is the suspenseful, scary tale of a woman late for a flight and her domineering husband Frank, to whose will the world seems to bend. He gets her to the airport by a seemingly impossible shortcut, just in time to hear about the crash of the plane she would have boarded.

"Interrogation B" by Charlie Huston

From: A Hell of a Woman: An Anthology of Female Noir. Ed. Megan Abbott. Busted Flush Press, 2007.

One of a handful of male-authored stories in this female-themed anthology, "Interrogation B" follows Borden, a former Army MP-turned-police detective, as she questions a foul-mouthed, uncooperative suspect who gives her name as "Betty Crocker" on the standard interrogation form. After Betty spits on a male cop, sending him off in a huff, Borden bonds with her over frustration with others, getting her to confess to two killings.

In the final scene, a precinct poker game, we see a hint of how much Borden keeps close to the vest.

"Just Another Job" by Brett Battles

Recently made available on Authorlink free-of-charge, this story from the author of The Cleaner is a prequel to the book's events, showing professional "cleaner" Jonathan Quinn and his mentor Durrie in the aftermath of a deal for software secrets.

As the story opens, the buyer has already been killed by an operations team. Quinn and Durrie's job is to make the scene look as innocent as possible, which includes dousing the blood with paint. Durrie is prepared to kill the seller, too, but Quinn rationalizes that only the buyer had put up a fight, only he deserved to die. With this relative morality, Quinn tries to separate working in the aftermath of violence from the act of violence. This shred of decency distinguishes him from others in the business, making readers care about him.

If you've read The Cleaner as I have, this story is a treat. If you haven't, it's a good introduction to Quinn's world.

A Killing in Midtown by G. Miki Hayden

My admiration for G. Miki Hayden's stories is well known and well founded. There is a lot to do in a short story, and even more that needs to be done if the short story is a mystery. Hayden consistently excels. "A Killing in Midtown" is in the current AHMM and it features Miriam Obadah, an immigrant from Ghana living with her husband and her co-wife, the much younger, Nana. In this series, Miriam solves various crimes while trying to make a living selling her handicrafts in Harlem and keeping an eye on Nana much as a mother might.

In this particular story, Nana has gotten a job in a Midtown hotel, and it isn't long before she reports that one of the other staff members died a suspicious death on the premises. She asks Miriam to go to work for the hotel to see if she can ferret out the killer - after all, it would be a shame for the woman to have died unnoticed. Miriam takes the case, and it isn't long before she uncovers more than one type of injustice happening at the hotel.

One of the treats of the series is Miriam's keen eyed appreciation of the people and happenings around her. She may have been taken out of Ghana (in fact, since her husband handles all the paperwork, she isn't sure she's in the U.S. legally), but Ghana has not been taken out of her. New Yorkers are a strange breed when seen through her eyes, and the sympathy she evokes is worth the price of admission, which, since it's a double-issue, is $5.99.